The Studio

Andrea Sega’s studio sits below the Italian Dolomites cradled in a valley basin. Standing outside, the sound of bubbling water and small birds break the quiet. His studio lies within a set of aged buildings. In typically beautiful Italian style both buildings present two stages of change ... there's a slow developing construction directly beside a slower regressive breakdown. However, tidy order exists here.

Inside one building a room holds machines and tools. This is the work environment of Andreas Sega, the founder of Alpitude Components and Werking Frames.

Sega's studio has organically expanded since our last visit. The walls remain intensely white, faced with abundant natural light lit through tall windows. The view of mountains from the studio still conjure cycling dreams. But Andrea's work has developed an increasing appetite for more machines and tools. The work spreads further, and the liveable space has reduced.

The tight studio space is a contrast to the magnificent landscape seen from the window. And as you look beyond the wooden frame to the outside, looking up the ample green spaces that creeps over mountains, you understand how the outside contributes so very much to Sega's work.


For us sea-level dwellers, vertigo lives in this space. Winding thin roads perch over cliff faces to slowly descend into serial switchbacks. And when you reach the valley base you once again turn to face more mountains.

I imagine in his local area Andrea climbs a lot, and so he must think a lot. And he probably thinks about the answers to world problems, or at least to cyclist problems.

werking bike in Alpitude environment

Sega carries these answers to his studio where he creates tangible solutions. His machines and tools are at the ready for whatever the answer is.

A bottle cage, a computer mount, a chain catcher. If you didn't identify a cycling context, you'd still recognise each items beauty. 

Andrea states that he makes "premium product with an artisanal quality.” But somehow, as true as this is, his words are modest in encapsulating his profession. To expand his sentiments, I'd add,

Through meticulous handling of carbon, Alpitude Components founder Andrea Sega champions three features favoured by contemporary cyclists : Beauty, strength and lightness.

Aesthetic meets Practicality

The studio presence is a space for productivity with exceptionally beautiful aesthetics. The combination allows for unique qualities in hand that can't be replicated by computers.

Andrea is young. He’s the youngest owner of brands held at Chainsmith. He appears typically Italian in the sense there’s not much to him. He looks like a climber, but will deny it and exclaim he doesn’t ride enough. But I laugh at this, because I doubt it.

He chats with David, and we’re at ease in his work space.

Sega hands us a Werking frame, showing us his commitment to pushing boundaries. But rather than reinventing the wheel Andrea takes a high end product and applies himself to making it better. He pushes his practice to find solutions for a particular cyclist demanding more. We look over the frame to discuss what the year has bought for Andrea who has worked continuously and conscientiously. A clock ticks quietly in the background.

As Italian dialect is exchanged, I take the opportunity to photograph the studio.

Andrea chat about projects, his latest tests and recent moulds.  He accommodates me with spates of English while more freely speaking with David in Italian. Like an artist Andrea starts to pull objects and materials from their places.

Andrea has made a new series of computer mounts that I see in differing stages of finish. There's one designed for Wilier specific Alabarda Bars and others specific to Zipp, 3T and Ursus. The mounts will further develop in form, which we’ll experience as the year progresses.


The Product

While he invents, his existing products evolve. The Superlegerro bottle cages are now available in both Matt and Gloss Carbon, accompanied with stainless steel or titanium bolts. The carbon cages have caught our attention. The newest model cradled in my hand is feather light, at only 8 grams (without ti bolts). The key is in the hand wrapping which allows strength and durability. Unlike its competitors, the carbon hasn’t been applied flat so it resists the flex that allows bottles to pop out over rough roads. Also, the carbon is not hollow. Andrea has upgraded the Ultra cage, which has been on my bike for a year. He’s made the new Superleggero lighter and stronger, using different carbon with changes in design.

As with all our brands, we’re excited by how technology and creativity expand what Andrea’s items can do or how they appear.

During Andrea’s second business year, Alpitude Components propelled itself within a niche market. The beauty and near weightlessness of his hand wrapped cages have impressed riders around the world. Following suite are the pragmatic but equally aesthetically pleasing direct-mount computer holders and chain catchers.

We’re especially pleased Andrea has an understanding of cycling goods from a cyclist perspective. As if producing weren’t enough, he’s offering “the Ultimate Cycling Holiday”. Having experienced the immense climbs on roads that weave upward throughout small villages to farms and wide open space of the Dolomites, we know the rides will certainly, as the tour book suggests, “make you live a unique and memorable experience.”

Anyone looking to be rewarded with a spectacular route through Northern Italy is well advised to book one of three tours with Andrea

The Difference

Alpitude Components differ in what they offer the cycling market : an answer to client problems. Its not a wonder the components are increasing in their popularity. I wonder about Andrea’s ability to keep up with demand, but so far the only issue has been from carbon suppliers.

Not every rider likes to follow a status quo with many riders turning to small craft makers to fix or provide solutions. Dissatisfied with mainstream products, a type of customer seeks to own something that will distinctly set them aside from the bunch. The ability to trace back the origin of the items is appealing. To simultaneously support small business is the icing on the cake.

On the other side, online giants have allowed direct public access to prices and products previously kept exclusive to distributors and retailers. Large Brands are fighting back. They offer difference in the bespoke forms of “custom colours.”

As internet price wars and sales tactics bombard the consumer, the business of designers and craft makers blossom. Their smaller working spaces inherently limit distribution. These products can't be produced on grand scale without loosing their unique artisanal quality. Its a business of opportunity as each product can be tailored to more specific consumer demands.

This is a space developed by artisan Andrea Sega.

werking sketches

As we leave, Andrea’s father speaks to me in Italian pointing to two holes in a wall. Initially I don’t understand and so he speaks faster. And then I see. Inside the holes are small nests and eggs. A family of birds grow inside.

We so often focus on the bigger things only to miss smaller but significant events.

We are fortunate to have producing artisans such as Andrea who listens and creates answers, inspiring a niche market of riders who appreciate “special” qualities.

What’s more, I’m warmed knowing true bespoke artisans still exist. The romantic consideration of a frame builder working in the middle of the mountains, whose tenacity and focus continues to bring solutions to a small bike shop such as Chainsmith, is heartwarming.

We'd like to thank Andrea for his warm hospitality each time we visit him. A respect for his focus and his craftmanship have us looking forward to the next trip where we promise to update you on new adventures and products.

You can find products mentioned in Australia on this website, or come visit us!

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